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With a soulful eye for aesthetics and a heart rooted in sustainability, Emilie Solhof is redefining modern style. A Copenhagen-based style curator, her world is stitched together with threads of nature, art, and intention. As a collector of stories, textures, and vintage treasures, Emilie brings beauty into everyday life with quiet grace and bold vision. Her eclectic taste and love for all things vintage give her home a distinct charm—inviting, expressive, and deeply personal. We always find ourselves inspired by the simple beauty of everyday rituals, and no one captures that better than our dear friend Emilie.
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This spring, she welcomed us into her home, where the rhythm of slow living meets the poetry of design, and shared her take on an Easter table: grounded, effortless, and deeply connected to nature. Using branches, blossoms, and treasures from her own garden, Emilie created a setting that feels both down-to-earth and quietly elegant. She added soft layers of fabric with our Merrow napkins in ochre and Lee table cloth in light grey, bringing warmth, texture, and a gentle tactile touch that ties it all together. It’s a reminder that beauty is around us, waiting to be gathered.
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Q: What inspires a perfect Easter table for you, and where do you usually find inspiration?
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Emilie: It always begins with a pop of color; something unexpected but soft. I’m drawn to ceramics that carry warmth through texture, pieces that feel made by hand, with love. Inspiration often comes from nature: the way light moves through budding branches or the quiet resilience of something not yet in bloom. Easter is really about that—honoring a new beginning. Even bare twigs have a role to play on the table, because they remind us that everything is in the process of becoming.
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Q: As someone who embraces ‘slow living’, what daily rituals help you stay present and connected?
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Emilie: I’ve always loved mornings. There’s something almost ceremonial about them - a kind of daily reset. I take a quiet moment to myself before anything begins, just to breathe, stretch, light a candle, or simply sit with a warm cup in my hands. That pause, however small, sets the mood for everything that follows. It’s the luxury of presence, of not rushing.If I have time I go for a swim in Øresund - it’s brisk, sometimes a little wild, but it sharpens my senses and brings me right into my body. I also ride horses a few times a week. There’s an honesty in being around animals like that; something instinctive and grounding. The tempo of riding, the connection between breath and movement, the way your attention has to remain focused - it’s meditative and alluring. I think that’s why I’ve always felt drawn to equestrian elements, even in interiors and objects: the buckles, the harness stitching, that refined sense of utility.Later, there’s always time carved out for a walk and a coffee or tea - usually near the water or through the woods. I appreciate the small things: a branch that’s bloomed overnight, the way the light hits the stone path. Evenings are slower, with my family, cooking, sharing stories, resetting again. It’s a quiet kind of rhythm, but it keeps me deeply connected to the world around me.
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Q: What are your top five favorite places to look for art or vintage pieces—or just your favorite places to shop?
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Beau Marché
I never go to the city without stopping in.
There’s always something I didn’t expect to find.
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Vestiaire Collective
For second-hand treasures—
vintage clothing, jewelry, shoes. Pieces with past lives.
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Værnedamsvej
In Frederiksberg, a little Copenhagen street that feels like a well-kept secret.
I always discover something thoughtful there.
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The Red Cross shops
especially for one-of-a-kind ceramics and glass objects.
It’s the thrill of the unexpected.
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B&W Market at Refshaleøen
For classic Danish vintage furniture.
The scale of it, the rawness—it's a bit like walking through design history museum.
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